This Refers to the Dramatic Twisted Shapes in Baroque Art

What is Baroque Art?

The term Baroque art comes from the French word barroque which originally referred to irregularly shaped pearls. This menstruum of early on European art, following the Renaissance and Mannerist era, started in Rome during the early 17th century and spread throughout the continent. Evoking emotion, tension and drama, Bizarre fine art is highly ornate encompassing painting, sculpture, decorative arts, and architecture.

Famous Works of Fine art from the Baroque Period

Calling of St. Mathew. (1599-1600) Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome. Accueil - Saint Louis des Français (saintlouis-rome.net)
Calling of St. Mathew. (1599-1600) Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome.
Accueil – Saint Louis des Français (saintlouis-rome.cyberspace)
Judith Slaying Holofernes. (1598-99). Artemisia Gentileschi. Judith Beheading Holofernes by Artemisia Gentileschi | Artworks | Uffizi Galleries
Judith Slaying Holofernes. (1598-99). Artemisia Gentileschi.
Judith Beheading Holofernes by Artemisia Gentileschi | Artworks | Uffizi Galleries
Las Meninas.1656. Diego Velázquez. Museo del Prado, Madrid, Spain. Las Meninas - The Collection - Museo Nacional del Prado (museodelprado.es)
Las Meninas.1656. Diego Velázquez. Museo del Prado, Madrid, Spain.
Las Meninas – The Drove – Museo Nacional del Prado (museodelprado.es)
 The Last Judgement of Paris.(1606-1608). Peter Paul Rubens. Museo Del Prado, Madrid, Spain. The Judgement of Paris - The Collection - Museo Nacional del Prado (museodelprado.es)

The Last Judgement of Paris.(1606-1608). Peter Paul Rubens. Museo Del Prado, Madrid, Spain.
The Judgement of Paris – The Collection – Museo Nacional del Prado (museodelprado.es)
The Entry of the Animals into Noah's Ark. (1634). Jan Brueghel the Elder. Getty Museum, Los Angeles. The Entry of the Animals into Noah's Ark (Getty Museum)
The Entry of the Animals into Noah's Ark. (1634). January Brueghel the Elder. Getty Museum, Los Angeles.
The Entry of the Animals into Noah'southward Ark (Getty Museum)
The Night Watch.1642. Rijksmuseum, Amsterdam, Netherlands. The Night Watch, Rembrandt van Rijn, 1642 - Rijksmuseum
The Night Spotter.1642. Rijksmuseum, Amsterdam, Netherlands.
The Night Watch, Rembrandt van Rijn, 1642 – Rijksmuseum
Girl with the Pearl Earring. 1665. Johannes Vermeer. Mauritshuis, The Hague, Netherlands https://www.mauritshuis.nl/en/our-collection/artworks/670-girl-with-a-pearl-earring/
Daughter with the Pearl Earring. 1665. Johannes Vermeer. Mauritshuis, The Hague, Netherlands
https://www.mauritshuis.nl/en/our-collection/artworks/670-daughter-with-a-pearl-earring/
The Ecstasy of Saint Theresa. (1652). Gian Lorenzo Bernini. Church of Santa Maria della Vittoria, Rome
The Ecstasy of Saint Theresa. (1652). Gian Lorenzo Bernini. Church building of Santa Maria della Vittoria, Rome

Historical Context of Bizarre Art in the 17th Century

The Roman Catholic Church gained control over Southern Europe after the Catholic Counter Revolution in protest to the Protestant Reformation. To show this forcefulness in ability, new works were commissioned by the popes in both art and architecture.

Meanwhile, Northern Europe was mostly Protestant and relied on monarch patrons such every bit Louis 14, and Charles I, as the Protestant churches did not use fine art in the same style as Catholic churches.

Scientist such equally Galileo began to influence art, as well equally astronomers like Copernicus.

Wealth was accumulating through trade in the Dutch Golden Age and patrons were in search of pocket-size Baroque paintings for their homes. Prints were also being mass produced for those with a new interest in art to entice future purchases of original  Baroque paintings.

Characteristics of Baroque Paintings

Baroque paintings focused on biblical, mythological, and historical paintings  likewise as natural landscapes. There was an overall focus on the smallest of details. Works had a sense of emotion as well as the ability to capture dramatic moments.

A depth within painting was created with tenebrism, popularized by Caravaggio. Tenebrism is derived from the Italian word 'tenebroso' which means darkened and obscured. This allowed for figures to exist adumbral, and then dramatically illuminated through light.

Castilian and English language monarchs commissioned portraits, while French Kings preferred classical mural paintings.

Northern Bizarre paintings for the homes of wealthy merchants were smaller and still life paintings were frequently requested.

Characteristics of Sculpture

Sculpture in-the-circular was created in statuary and marble and ofttimes intended to adorn buildings and gardens.

Characteristics of Compages

Big buildings that meant to impress were what Baroque architecture was known for. Architecture was swirling with broken pediments, Solomonic columns and domes. Reliefs appeared with intricate carvings.

The natural earth was highlighted in interiors with twisting, flowering vines. Putto and cupids were added to décor. Wood was gilded and rich fabrics were used such as velvet and damask.

Early on Baroque Painting

The Baroque period in fine art started in Rome. The nigh influential painter was Italian built-in Caravaggio.

Caravaggio

Known for depicting biblical and mythological scenes, Caravaggio (1571-1610) was an Early Bizarre creative person who captured drama at its climax. The Italian artist fabricated religious figures accessible by showing them in gimmicky vesture and settings.

In the Calling of St. Mathew (1600), Caravaggio illustrates the moment when Christ invites Mathew to join him. Mathew stares at Christ, who has just entered the dark tavern, illuminated through a sunlit window, in disbelief.

Caravaggio's Medusa from 1597.
Caravaggio'southward Medusa from 1597

The Italian painter's scenes could also exist full of violence. In David with the Head of Goliath(1699), Caravaggio paints the severed head moments after the occurrence.Medusa (1597) painted on a parade shield was deputed past Primal del Monte as a gift by the Duke of Tuscany, Ferdinand I de' Medici,  Only Medusa's head and anguished face up announced. The neck has been savagely decapitated.

Female Italian Baroque Painters

Two female Italian painters gained fame in Bizarre era. Artemisia Gentileschi (1593 – 1656) and Elisabetta Sirani (1638-1665).

Gentileschi painted women in a realistic style, but like Caravaggio her paintings could also have a violent nature. Judith and Holofernes (1620-1621) a biblical story, was popular with artists in the Baroque era. Here the painter illustrates Judith severing the head of the drunken Holofernes, as blood soaks white sheets. This is like Caravaggio's Judith Beheading Holofernes (1598-99), but Gentileschi's Judith does not hesitate, as she is more than muscular and powerful.

Conversely, her religious art portrait Saint Catherine of Alexandria 1615, portrays a regal, gentle adult female, in contemplation.

Saint Catherine of Alexandria. 1615. Artemisia Gentileschi.
Saint Catherine of Alexandria. 1615. Artemisia Gentileschi.

Italian painter Elisabetta Sirani was known non only for her religious themes, but for heroines from literature and history. In Portia Wounding Her Thigh (1664) the heroine is depicted jabbing her naked thigh with a dagger, to testify to her husband Brutus that she is fearless plenty to join him in his conspiracy to murder Julius Caesar.

One curious element of Sirani's works is she would hide her signature in obscure places like the embellishments of her character's wardrobe.

More than Southern Bizarre Painters: Spain

Seville built-in artist Diego Velázquez (1599-1660) was a court painter to King Philip Four. The artist's masterpiece piece of work Las Meninas (1656) is a Southern Bizarre menses painting that was commissioned equally a family portrait. With total creative license, the artist adds his own image into the work.

Up close details of Infanta Margarita of Spain, as she appears in Diego Velázquez's painting Las Meninas.
Up close details of Infanta Margarita of Spain, every bit she appears in Diego Velázquez'southward painting Las Meninas.

The Infanta Margarita of Spain, is with her meninas or attendants. Backside her, reflected only in the mirror are the king and queen. Caravaggio's influence is apparent through the Spanish painter'south utilise of tenebrism. Faces and easily appear to be illuminated.

Francisco de Zurbarán (1598-1664) was the leading painter in Seville, later on Velázquez left for the court in Madrid. He was nicknamed the Spanish Caravaggio for his apply of tenebrism. Zurbarán frequently painted religious scenes capturing the subject area's spirituality, as with Christ nailed to the cantankerous in Crucifixion (1627), the young friar in Saint Serapion (1628) or Saint Francis Contemplating the Skull (1633-1635).

In 1634, Zurbarán was invited past Rex Philip IV to pigment mythological works such as Hercules Staying the Course of the River Alpheus, part of a larger series.

New Spanish Bizarre Painting

New Spanish Bizarre, frequently referred to equally Mexican Baroque was art in the Viceroyalty of Spain. As a Catholic dominated region, much of the art was religious. Works were painted on altarpieces, canvasses, and church building walls.

Popular artists at the fourth dimension included Miguel Cabrera (1695-1768) who was recognized as the greatest painter in New Espana, Juan Correa (1646-1716) and Cristóbal de Villalpando (1649 – 20 August 1714) prolific painters whose work now hang in many churches in United mexican states.

The Lactación de Santo Domingo, by Cristóbal de Villalpando painted near the end of the 17th century.
The Lactación de Santo Domingo, by Cristóbal de Villalpando painted near the stop of the 17th century.

Flemish Baroque Painters

Peter Paul Rubens (1577-1640) was schooled in Antwerp, before completing his training in Italia. He spent almost a decade in Spain, and then became court painter to Archduke Albert and Archduchess Isabella, in the southern Netherlands. His paintings in the Baroque mode include religious works like Samson and Delilah (1609-10) and mythological themed subjects such as The Final Judgement of Paris (1606-1608) as well every bit portraits and landscapes.

In The Pedagogy of the Princess (1622-1625) Peter Paul Rubens combines a portrait of Marie de' Medici with the mythological gods and goddesses, Apollo, Hermes, and Athena, instructing her on how to be a practiced queen. It is one of the 21 huge canvasses the queen female parent of France deputed the artist to paint to tell the history of her life.

Jan Brueghel the Elder (1568-1625) was known for his fragile brushwork, as shown in his biblical, mythological, historical and landscape scenes. Built-in in Kingdom of belgium, he worked in Rome before condign the courtroom painter to Archduke Albert and Archduchess Isabella, in the southern Netherlands.

In The Entry of the Animals into Noah's Ark (1634) There is item in every animal from horses and lions down to the smallest birds and turtles in the grass along the banks of the river.

Created in the 1640s Allegory of War, past January Brueghel the Younger (1601-1678) son of Jan Brueghel the Elderberry, shows the effects of Europe's 30 Years State of war, where over eight meg people were killed. The Flemish Baroque artists paints dead bodies, skulls, weaponry, and roughshod animals into the mural.

Dutch Baroque Painters

Rembrandt van Rijn (1606-1669) was a Dutch Bizarre painter and print maker. His work captured realistic images and moods, much of which were historical or biblical. He likewise created portraits and cocky portraits. Some of the works the Baroque artist is near famous for are The Beefcake Lesson of Dr. Nicolaes Tulp (1632) depicting the famous doctor examining the corpse of an executed criminal  and Rembrandt's masterpiece is The Nightwatch (1642) a big canvas that is a group portrait of armed services men.

Anthony Van Dyck (1599- 1641) Peter Paul Rubens' best pupil was a successful painter of portraits and religious scenes. He was court painter to King Charles I of England, for whom he painted the Equestrian Portrait of Charles I (1637-38). He painted Self Portrait with Sunflower (1633) in which he gazes out of the canvas toward the viewer.

Johannes Vermeer (1632-1676) the Dutch born painter created 34 works in his career, the most famous of which is The Girl with a Pearl Earring (1665). Vermeer was known for his ability to master low-cal and to capture scenes from everyday life.

A detailed Tardily Bizarre painting past Dutch artist Rachel Ruysch (1664-1750)  entitled Fruits and Insects (1711) illustrates the fascination with science and nature in still life Bizarre paintings.

French Baroque Painters

Nicolas Poisson (1637-1710) was born in French republic but lived much of his life in Rome. He created perfect landscapes and illustrated the connection of the people to the land. Some of his major works included Death of Germanicus (1628), The Inspiration of the Poet (1629), Venus and Adonis (1628)

Italian Bizarre Sculptors and Architectures

Gian Lorenzo Bernini (1598-1680) was a sculptor and architect during the Baroque catamenia. Sculpture was a lifelong written report beginning at the side of his father Pietro, who was likewise an artist. Bernini was devoutly religious, and this was reflected in his work.

Francesco Borromini (1599-1667) defined Baroque mode in the 17thursday century and represented class in a very geometric mode by using overlapping squares, rectangles, and circles.

Bernini and Baroque Style

Bernini was a principal in marble, where he captured both man emotion and sensuality of line. His sculpture-in-the-circular works allowed for his work to be studied from all angles.

Bernini'due south early patron was Key Scipioni Borghese who commissioned two important works. Both were from Ovid's Metamorphosis. Pluto and Proserpine (1621-1622) depicts Pluto abducting the goddess while she twists away in horror. In Apollo and Daphne (1622-1625) the Baroque creative person captures the exact moment when Daphne begs her father to transform her into a laurel tree to avoid Apollo'due south advances.

Bernini received a large committee from Cardinal Frederigo Cornoro between 1647-1652. First, he extended Cornoro Chapel, at the church of Santa Maria della Vittoria, in Rome. The Ecstasy of St. Teresa was sculpted for this infinite, equally interpreted in the saint's diary. The angel descends and pierces her eye with a spear. On either side of the work, Bernini sculpted two balconies with people every bit onlookers who correspond various Cardinals.

Bernini was commissioned for multiple projects in St. Peter'south Basilica such equally the bronze canopy or baldacchino that rises 95 anxiety, with twisting Solomonic columns, and St. Peter'southward chair also in bronze, surrounded by angels and cherubs, likewise every bit numerous sculptures and tombs. Then straight outside there is St. Peter'due south Piazza, an oval space with an obelisk in the center and ii fountains, along with a colonnade and a multitude of sculpted saints.

Borromini and Baroque Style

Francesco Borromini's San Carlo alle Quattro Fontane or Saint Charles of the Four Fountains (1638-1646) in Rome, Italy is made of stone and stucco. The materials chosen reflects the meager budget that the order of the monks who commissioned information technology had available. Additionally, the land it was built on was small and irregular in shape.

San Carlo alle Quattro Fontane Exterior
San Carlo alle Quattro Fontane Exterior

The church was designed using geometric shapes and mathematical precision. The floorplan is built upon two triangles that connect in the middle to class a diamond. Inside each triangle, overlapping circles connect to brand an oval, with an oval ceiling above. Wall bend and alternate betwixt the concave and convex. More geometric elements also as floral motifs add to the design, simply mastered in white. San Carlo alle Quattro Fontane is a jewel of Baroque style.

San Carlo alle Quattro Fontane Ceiling View
San Carlo alle Quattro Fontane Ceiling View

Other Notable Baroque Architecture

In France, Napoleon Bonaparte commissioned Les Invalides (1671-1706) a hospital and retirement home for veterans and a terminal resting place for the ruler's grave. Architect Libéral Bruant (1635 -1697) congenital about of it and Jules Hardouin-Mansart (1646-1708 ) completed the dome.

The Palace of Versailles, in France, was once a hunting gild endemic by Louis Thirteen. Information technology was transformed into a masterpiece of Bizarre architecture and design by his son Louis Xiv, starting in 1669. With over 2300 rooms, information technology was lavishly constructed and designed using gilding, stucco arabesques, painted vaults and trompe-fifty'oeil . The first architect on the project was Louis La Vau (1612-1670). It was later completed by Hardouin-Mansart.

St. Paul's Cathedral, in London, is an example of English Baroque architecture, designed by architect Christopher Wren (1632-1723) later the damage of the Peachy Fire of 1666. Wren would too rebuild over fifty churches defenseless in the blaze.

Related Fine art Terms

  • Dutch Golden Historic period
  • Tenebrism
  • Still life
  • Sculpture in-the-circular
  • Broken pediments
  • Solomonic columns
  • Putti
  • Putto
  • Domes
  • Reliefs
  • Baldacchino
  • Renaissance Fine art
  • Mannerism (Art)

Artists and Architects of the Baroque Era

  • Caravaggio (1571-1610) Italian
  • Artemisia Gentileschi (1593 – 1656) Italian
  • Elisabetta Sirani (1638-1665) Italian
  • Diego Velázquez (1599-1660) Spanish
  • Francisco de Zurbarán (1598-1664) Castilian
  • Miguel Cabrera (1695-1768) Mexican
  • Juan Correa (1646-1716) Mexican
  • Cristóbal de Villalpando (1649 – 1714) Mexican
  • Peter Paul Rubens (1577-1640) Flemish
  • Jan Brueghel the Elder (1568-1625) Flemish
  • January Brueghel the Younger (1601-1678) Flemish
  • Rembrandt van Rijn (1606-1669)
  • Anthony Van Dyck (1599- 1641)
  • Johannes Vermeer (1632-1676)
  • Rachel Ruysch (1664-1750)
  • Nicolas Poisson (1637-1710)
  • Gian Lorenzo Bernini (1598-1680)
  • Francesco Borromini (1599-1667)
  • Libéral Bruant (1635 -1697)
  • Jules Hardouin-Mansart (1646-1708 )
  • Louis La Vau (1612-1670)
  • Christopher Wren (1632-1723)

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Source: https://www.artlex.com/architecture/styles/baroque-art/

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